Thankfully, Kate Ball isn’t a typical “chick with a guitar.” KB started playing at the age of 9. Since, KB has refined her skills so successfully and crafts her songwriting so poignantly that she actually manages to sonically contest the gender stereotypes of our generation.
Speaking of gender stereotypes, Kate Ball does not subscribe to the androgyny like the ever-talented Merrill Garbus from TuNe-YaRds.
Instead, Kate Ball is genuinely beautiful with complimentary nodes of dark, moody, subtle femininity with a contrasting hint of “fuck you.”
Yes, she is over flowing with angst – but it’s actually refreshing & honest; as if she’s pouring her literal soul into every line of every song.
Kate Ball is working on her first full-length-album as a solo artist. She engages with her social network on Twitter, Pinterest, Instagram, Facebook, and Youtube and posts free music & downloads to KateBall.com.
Kate Ball is also the Co-Founder of the successful resource blog & indie promotional company, Underland NY, which provides empowerment resources to the artists, musicians, and venues of Brooklyn & NYC.
Links to social media:
Twitter: twitter.com/kate_ball
Pinterest: pinterest.com/kateAball
Facebook: facebook.com/kateAball
youtube: youtube.com/kateballdotcom
instagram: instagram.com/prettylittleglimpses
kate ball: kateball.com
underlandny: underlandny.com
It was the September of 1990. T Music & Organization had been together only 6 or 8 several weeks and their very first gig was at this old eating position on the Suwannee Stream in Old City, California. A 16yo lady known as Jene Linzi was the server and the only one. It wasn’t a active position. Anyway… She said she would published some lines and expected music could be put to them. He informed her to carry them to our display the following weeks time, which she did and he took them house to perform on. He doesn’t keep in mind how many she provided me or how many he consisting for but have three sessions. “Love or Lust” came out very boring, he thinks, but the two he has published here, “Jungle of Pain” and “I’m Here Now” are rather outstanding.
ODi is an Irish artist, songwriter and musician who makes the combination components of Joan Armatrading’s pathos, Michelle Orton’s eye for the exclusive and deeply with a contact of Dido’s bed-sit relationship to generate her own exclusive, fascinating audio. Last season, the blessed artist launched her First appearance record “Maslow’s Songbook”. Registered with manufacturer Karl Odlum (Fionn Regan, The Supports, Mark Kitt). The record encapsulates ODi’s amazing speech, music and lines set to a variety of wonderful musical technology scenery presenting efforts from Colm Mac Con Iomaire (The Supports / Expand Season) and Rónán Ó Snodaigh (Kíla). 
If you listen to radio of late, you can see why some of us think a lot of current music just doesn’t make a lot of sense. Lines don’t seem to need to rhyme, sentences don’t seem to need to be connected, and music and rhythms can jump all over the map. If this new style is something you’d like to play around with, here are a few ideas to get you started.
Only 7 several weeks after their introduction full-length history launch STONED JESUS come back with a company new line-up and a company new set of songs! The headline monitor in two variations, the “unexpectedly quick and short” one and the haunting RED TEMPLE SPIRITS protect were noted in Jan on Bambrafone producing facilities and combined in Goal by Igor and Sergey Nesterenko of ANNA, who also provided some qualifications controls for the prolonged edition of “Stormy Monday”. The history itself reveals STONED JESUS glowing at their best while still looking for more…and it’s yet to come!
Is the mission of music to better humankind? Not necessarily, though messages in the music created by Jon Anderson (lyricist/front man for Yes) and avant garde composer Vangelis inspire us to see the world from an altruistic perspective. Remember “We Are the World”? Written by Michael Jackson and Lionel Richie in 1985, the song was influential enough to have two artist-studded releases 25 years apart. 